The vocalizations produced by Yoko Ono during her artistic performances and musical recordings are often characterized as screams, shouts, or unconventional singing. These vocal expressions, frequently dissonant or jarring to some listeners, formed an integral part of her avant-garde approach to art and music. Her intent was to challenge traditional notions of vocal performance and explore the boundaries of human expression through sound.
These sonic explorations were not merely random occurrences but deliberate artistic choices. Ono aimed to convey raw emotion, break down conventional expectations of feminine expression in music, and provoke a response from the audience. Her artistic practice took place within a broader historical context of experimental art movements where challenging the status quo was paramount. The importance lies in her use of the human voice as a tool for unfiltered communication and disruption of established norms, influencing subsequent performance artists and musicians.
