The period of the 1970s witnessed a significant surge in popular culture’s fascination with Satanic themes. This cultural phenomenon manifested in literature, film, music, and even certain aspects of visual art. The focus on the diabolical was characterized by exploration of themes such as possession, occult practices, and the perceived battle between good and evil.
Several factors contributed to this increased interest. Social and political anxieties stemming from the Vietnam War, the Watergate scandal, and broader cultural shifts challenged established norms and institutions. This widespread disillusionment fostered a climate of uncertainty, prompting some individuals to explore alternative belief systems, including those associated with the occult. Furthermore, landmark publications and films addressing demonic themes, such as “Rosemary’s Baby” and “The Exorcist,” achieved considerable commercial success and significantly influenced public perception. The sensationalized portrayal of these themes, while often fictionalized, contributed to a heightened awareness and, for some, a sense of genuine threat.
