A common issue encountered when utilizing sampled orchestral string libraries in digital audio workstations involves the abrupt cessation of sound while sustaining a legato passage. This manifests as the sampled string sound terminating prematurely, disrupting the intended smooth and connected phrasing. For example, a composer might program a sustained violin melody intending a seamless transition between notes, only to experience a noticeable and undesirable silence during the held portions.
The ramifications of this phenomenon can be significant, impacting the realism and emotional impact of a musical composition. Eliminating such artifacts is crucial for achieving a professional and polished sound. Understanding the underlying causes, such as improper sample looping, velocity sensitivity issues, or insufficient release triggers within the virtual instrument’s programming, is paramount for addressing and rectifying the problem. Historical limitations in sampling technology have improved with advanced scripting capabilities and larger sample libraries, but the potential for this issue persists.
