The act of removing three students from the Gurukul’s rolls in the film Mohabbatein is a pivotal plot point, stemming directly from their defiance of the school’s stringent rules and traditions. Their actions, primarily centered around pursuing romantic relationships, directly contradicted the rigid discipline enforced by Narayan Shankar, the headmaster.
This expulsion serves multiple narrative functions. It underscores the oppressive nature of the Gurukul’s environment, highlighting the conflict between personal desires and institutional control. Furthermore, it acts as a catalyst for the arrival of Raj Aryan, whose contrasting philosophy on love and life challenges Shankar’s authority and sets the stage for the film’s central thematic exploration of tradition versus freedom. The consequences of this expulsion impact the overall narrative trajectory, influencing character development and driving the film’s core message.
